Is brian mccourt gay

Based on his Instagram posts, he is not gay. There are several photos of him with his sons and a woman. The woman’s identity in the picture is not revealed. And so, it cannot be confirmed if she is his wife or girlfriend. The names of his sons are Ben and Calvin. Brian has shared that he co-parents his sons with an LGBTQ couple. Yes, Brian McCourt is openly gay. We can see him talking about his sexuality in many interviews.

At present, he is the father of 2 adorable little boys, Calvin McCourt, and Ben McCourt. He co-parents, then his 2 ladies, Kristina, and Heather Hurlski, whom the boys call their moms. No, Sarah is not married to Brian McCourt. Brian is a qualified Canadian design expert, real estate flipper, and TV personality who currently appears alongside Sarah on HGTV’s Backyard Builds TV program.

are backyard builds hosts brother and sister

Christine Da Costa interviews Brian McCourt and Sarah Keenleyside from HGTV about their show ‘Backyard Builds.’ Your Questions Answered Are Brian McCourt and Sarah Keenleyside married? No, Brian McCourt and Sarah Keenleyside are not married. Sarah has been married to singer Justin Rutledge since Where is Brian McCourt from?. 4, likes, comments - brianmccourtdesigns on June 18, "As LGBTQ+ parents, our family looks a bit different than most.

TBH though, our sexuality has nothing to do with parenting. We are a team, we love our kids, we support each other, we teach, we play and we do our best to raise happy and kind little humans. Family is what you make it. Bernstein If art has the power to heal, then an astonishing public sculpture by a gay artist could begin to heal the rift between New York's Irish-American and gay communities.

The Irish Hunger Memorial, which commemorates the famine of to and was dedicated in July by a who's who of prominent Irish-Americans, is the work of artist Brian Tolle, 38, who describes himself as "very, very out. Tolle's memorial in Battery Park City, just a few blocks from the World Trade Center site, is a quarter of an acre of Irish countryside, supported by a tilted concrete platform and planted as it would have been during the famine.

To walk up the hillside is to feel the rigors of a land in which more than a million people starved to death, while upwards of another million emigrated, many to the United States. At the hilltop, the Statue of Liberty and Ellis Island seem to emerge from the fallow field, making the tie between the Old and New Worlds palpable. Art critics have been ecstatic. Roberta Smith of The New York Times called it "an unconventional work of public art that strikes a deep emotional chord Tolle's original model included such a cottage, but as the construction deadline neared he hadn't found one that had been occupied in the s.

Then Clyne remembered the crude stone building in which his grandmother, Mary Slack, was born in Clyne's sister, who had recently visited Ireland, confirmed that the cottage, built in the 19th century and last occupied in the s, still existed. Tolle and Clyne flew to Ireland in to see the building. They were accompanied by members of the Battery Park City Authority. By then, the Irish-American community had begun to see the importance of the project.

Tolle was selected to create the memorial from a list of artists, and Clyne made computer renderings submitted with Tolle's original model. The couple met 15 years ago, when they were both undergraduates with part-time jobs at Macy's. Later they had a commitment ceremony in the chapel at Yale University, where Tolle attended graduate school. Now they live in Greenwich Village; Tolle works out of a studio in Brooklyn.

Clyne, who works at home, is busy creating a Web site for the Irish Hunger Memorial, which he and Tolle still visit several times a week. Perhaps Tolle's contribution to Irish-American pride will help pave the way for rapprochement between New York's Irish and gay communities, riven for years by disputes over whether gay groups can march in the city's St. Patrick's Day parade. That the Irish community entrusted him, says Tolle, "is an incredibly positive thing.

They came to respect me as an artist. And they all benefited from my relationship with Brian. Bernstein writes regularly for The New York Times.