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In this interview, Josiah, Seth, Corbin, and Lucas reflect on the journey behind the album—the highs, the lows, and everything in between. LUNA: After taking an indefinite hiatus in , what was the moment that made you realize it was time to bring Greer back? We just took some time off and felt like it was time to get moving again. Everyone was kind of dealing with their own stuff at the time.

SETH: It was a process, though. I think it was about closing some open wounds and feeling things out for a long period of time. It was both a waiting game and also a situation where we had to get to know each other again after being apart for so long. We knew that making an album was just the next step, and we were always going to do that.

But there was just so much going on that we had to get through first, and that was a huge step for us. I think we were all a little afraid of doing it.

What new perspectives or experiences shaped the way you approached this album? I was still in high school, and everyone else had just graduated. So, the difference between that time and finally having the courage to write an album was drastic. A lot went into that transformation, and it definitely played a huge role in how we approached making music now. SETH: A lot of the formative experiences in the band were about finding our sound and growing up together.

So, the beginning of our band was kind of strange, and we had to rework how we made music to create this album. Then, when we were in the studio with our producer Rob Schnapf, we focused on making everything cohesive. With all of the songs in mind, how did you decide the order in which they would go in?

Then we had everything in between, this weird mix.

Inspiring stories, hidden gems, and practical

But I think we ended up thinking just to keep it a side A, side B, kind of vibe, where all of the really fast stuff is in the beginning half, and the weird, slow stuff in the second half. But it ended up being cohesive in a way, where we just started out as loud and crazy and chaotic as possible, and then it kind of slowly started to tame itself a little bit.

We had a bunch of preliminary orders that just felt weird and awkward, especially fitting in some of the instrumental tracks, which felt a little cumbersome at times. It was hard because half of the record is clearly more on the pop-rock side, and the other half is more on the ballad, softer side. One day, we were just dissatisfied with all the orders, so we decided to put it on shuffle to see if we could make any new connections.

That ultimately helped us put together an order. We knew it had to start and finish the record. How did returning to that space impact the songwriting process? Our old practice space had been the place we tried to write for a long time, but it just felt like a box. It felt better, we kept at it, and it worked out for us, which was really cool.

How did you balance staying true to your signature sound while evolving as songwriters? No shade to anybody, you know what I mean?